Martiel and Da Vinci

PUNTO DE FUGA (2013), CARLOS MARTIEL: http://tiny.cc/bglnlx Performance Art version of Da Vinci’s 'Vitruvian Man' "By interpreting the drawing with his own body, Martiel challenged the Western cultural notion frequently seen in art history that the caucasian man is the center around which contemporary society revolves."

PUNTO DE FUGA (2013), CARLOS MARTIEL: Performance Art version of Da Vinci’s Vitruvian Man (c. 1490)
“By interpreting the drawing with his own body, Martiel challenged the Western cultural notion frequently seen in art history that the caucasian man is the center around which contemporary society revolves.”

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